Like previous albums K.G. and L.W., Butterfly 3000 was recorded entirely in the homes of each band member, with a few caveats. First, all writing was done using modular synthesizers, and second, every song was written in the major key. Production was an adventure in synthesizers, sequencers, looping, and the layering of weird noises.

Says Stu Mackenzine:

“We were trying to make upbeat dance music, in our own way, and we’d never gone there before … weird, odd, off-kilter, polymetric arpeggios in strange time signatures, but with proper grooves you can stomp along to. At heart it’s avant garde, but a six-year-old could enjoy it.”

“It’s a journey; it’s a fantasy. It’s one of our lightest records, and it’s come out of this really trying time. We were challenging ourselves on this album to make something we’d never done before, which is a major-key, positive, uplifting record.”

Catch King Gizzard and the Lizard Wizard’s U.S. tour in October with support from Leah Senior.

Stream or purchase Butterfly 3000 here.


Theron Moore has been freelance writing since 1989 as a staff writer for SLAM Magazine (Stateline Area Magazine, Northern IL / Southern WI), and contributor to Jake Wiseley’s (Red Decibel Records) Sheet Metal Magazine. He’s also published zines Louder Than God, The Saint Vitus Press & Poetry Review, For Those About to Rock, and blogs Church of the Necronomicon and All My Friends Are Rock Stars (AMFARS). Moore has contributed music, & movie reviews, and artist interviews to websites, Wormwood Chronicles, The Sludgelord, New Noise Magazine and Metal Forces Magazine. He is the author of All My Friends Are Rock Stars, Volumes I-III; Gangsters, Harlots and Thieves; Belvidere, Books & Guns; Blood on the Screen, Blood on the Page; all titles available on Amazon.

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