Today, Zach Barocas New Freedom Sound released Four Freedoms. This collection gathers the first completed works in an ongoing series composed by Barocas. Initially devised from beats and recurring vocal harmonies, these pieces grow according to their own perceived need, inspired along the way by the contributions and interpretations of New Freedom Sound’s collaborators.

By turns reminiscent of jazz, incantation, popular song, free music, new classical, and Barocas’s own unique approach to rhythmic gravity and device, these Freedoms strive for ecstatic formulation, spontaneity, exuberance, beauty, and evolution.

Barocas says this about it: “On March first of this year, not a note of this music existed. I had much of it in mind one way or another for some time but didn’t know where to start or how to capture it. It came to me, finally, that I could put together a modest but effective studio, sing the primary chords of each piece, record them over basic drum tracks, and send the results to cellist Gordon Withers. Gordon then sent me his cello ideas for each piece, frequently several at a time, which I edited and shaped into skeletal versions of enumerated compositions eventually called ‘Freedoms.’ From there, the sketches were sent to J. Robbins and Mark Cisneros, and we all met at Magpie Cage in Baltimore to record their ideas and improvisations. I finished the pieces back at my studio, sent the files to J. for mixing and Dan Coutant for mastering and that is the story of these recordings.

“But why ‘Freedoms?’ Freedom from what?” one might ask. Freedom from oneself, perhaps, as one is freed when captivated by acts of creation; freedom from the limitations one has habitually and wrongly set for oneself; freedom from the despair and fear of the cascading and escalating crises of the last several years and especially the last couple of years. These freedoms are temporary, of course, and rarely concurrent. But they are at times all we have, and it seems suitable if humble tribute to capture and share some of their spirit in music.

“Thank you for listening. I hope you enjoy it.”

Purchase it here.

Zach Barocas: drums, percussion, voices, claps
Mark Cisneros: tenor saxophone, bass clarinet, flute,
trombone, percussion
J. Robbins: piano, electric piano, organ
Gordon Withers: cello

Recorded by J. Robbins at Magpie Cage (Baltimore, MD, assisted by Matt Redenbo) Zach Barocas at Fugitive (Brooklyn, NY), and Gordon Withers at home, March-July, 2021.

Mixed by J. Robbins at Magpie Cage and mastered by Dan Coutant at Sun Room Audio, July, 2021.

Cover art, “Transitional State” by Lyle Kissack © 2021.
Layout by Zach Barocas.

Author

Tim Anderl is an American journalist from Dayton, Ohio, whose work has been published in Alternative Press, Strength Skateboarding Magazine, and Substream Music Press. He was previously the web editor of GhettoblasterMagazine.com and is currently the editor of YouIndie.com, a host of Sound Check Chat Podcast, and a contributing writer for New Noise Magazine, Ghettoblaster Magazine and Dayton City Paper.

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