There’s so much to say about Carnifex’s World war X.  I do not even know where to start!  This record may be their best to date, only completing with their super early stuff.  The overall sound of the album is so big. It has the anger and angst of deathcore- but is still super fun to listen to.  It’s an album you can listen to start to finish without hitting next. With only nine tracks, it’s a record leaving you wanting more.   

World War X is also very well engineered.  Produced by Jason Suecof, who also recorded Carnifex’s 2016 release Slow Death and various other bands within the genre- it seems a perfect choice for the elevation of Carnifex’s success, sound and career.  

Every song is great off the album- but let’s chat about my favorite; “Eyes of the Executioner.”  This track represents the best of both old and new Carnifex. It boasts colors of fast and choppy, low, vocals of early Carnifex coupled with clean riffs, and by clean, I mean flawless.  The solos are also more generic, but as a betterment-often giving an old-school thrash feel and might I say; timeless feel to the guitar parts.  

World War X also features Arch Enemy frontwoman Alissa White-Gluz on “No Light Shall Save Us,” and she exemplifies what a featured artist should be- providing texture and only that- her vocals serve as a contribution to the greatness of the album as a whole.

Purchase this album here.

Author

Macie is an alternative music journalist in Los Angeles. She has been writing about music and spreading the word about bands since she was 14. Her favorite band is Alice in Chains and she enjoys spending her time going to shows, playing various instruments, writing for New Noise of course and collecting vinyl records.

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