The opening track, “New Year’s Face,” genuinely feels like a fresh start. I’ve heard many soothing voices over the years, but this one blends seamlessly with the melody; even the slightly deeper backing vocals complement the arrangement and enrich the sequence of sounds. The sweet, understated instrumentation throughout gives the song a quietly hopeful glow.
On the following tracks, there’s a noticeable lift in the vocal range, hinting that the music can expand beyond the confines of a calm ballad. Some choruses subtly recall Lana Del Rey, not in imitation but in atmospheric resonance. Overall, the melodies find their own path, carried by an indie-folk foundation brushed with hints of dream pop. The interplay between the piano and drums leaves little room for traditional showpieces—no heavy guitar riffs, no overtly performative moments—yet the simplicity works in the album’s favor.
“Dark Dark Bright” showcases Nick’s ability to create a serene aura within a steady rhythm. It’s not a fast-paced track, but its movement gently propels the melody forward. The light touch of synths adds clarity and brightness, as if the story being told is building toward its own soft, luminous climax.
The album also features several collaborations. Artists like The Antlers, Russian Red, and Owen Pallett join the duo to craft songs that stay aligned with the record’s sonic identity while adding their own personal twist. It’s remarkable how the album maintains cohesion while still allowing each collaboration to stand out—a balance that’s not easy to achieve.
Overall, the record highlights how seamlessly Nick and June work together, shaping a collection of calm yet compelling harmonies. As the album title suggests, it feels like a soundtrack for welcoming a new year. It guides the listener through nostalgia, love, and hope, its daydream-like vocals and spectral arrangements making it distinct among releases of the season.
Think Mazzy Star, Lana Del Rey, and Beach House to begin grasping just how cinematic this experience truly is.
