Beach Fossils
Somersault
(Bayonet Records)
Sure, it’s a really small micro sub-genre, but surf-y dream pop was definitely a thing about five years ago (Real Estate, Youth Lagoon, Wild Nothing, etc.), and it’s been interesting to watch many of the groups in that style flourish and grow apart over the years and albums. Brooklyn’s Beach Fossils perfectly encapsulated the sensation of being lost in a daydream, and their contemplative and hazy melancholic pop was well suited for a lazy Summer afternoon, especially over their first two records. Beach Fossils weren’t exactly one note, but the songs tended to stay in their expected lane. However, Somersault adds some very welcome sonic variation and a stronger sense that you shouldn’t limit Beach Fossils to the warm months.
I’d hesitate to call the band’s new sound chamber pop, but the near-constant addition of sonic tweaks are immediately notable. “Saint Ivy” features a wonderful flute solo; while numerous string arrangements ground these songs with an earthly grandeur (instead of staying in the dream-like clouds of the past). “Rise” features some nice saxophone under a surprisingly effective feature from rapper Cities Aviv (hip hop dream pop may be a new thing altogether, and I support it)..
The band also ratcheted up the latent post-punk influence in some of Somersault’s best tracks (“Sugar”, “Down the Line”). Of course, a group with an oceanic name still carries a very beach-y sound. Both the opening and closing tracks showcase how far Beach Fossils has come while still reminding listeners that their brand of surf-y dream rock isn’t necessarily broken, but it sure is more compelling with the added experimentation throughout. Throw in some sharper and more poignant lyrics, and Beach Fossils have a real winner on their hands.
Purchase the album here: Physical | Digital
