The End Of All Things is for Crown what Kid A was for Radiohead: an album that nobody was expecting from them.
Dark and moody; bleak and sublime; airy and crushing; mesmerizing and engrossing; bold yet unerring; strident, danceable, and suffocating, all at the same time. The End Of All Things, out now through Pelagic Records, is an album oozing with tasteful, fragile hooks, flirting with the abyss they are hovering above, encapsulated within an ingenious major production, provided by one half of Crown himself.
New Noise are proud to premiere the video for “Neverland (Roadburn Redux Session)” below:
David Husser has worked as a sound engineer, producer and musician all across the globe with artists like Alan Wilder of Depeche Mode or at Peter Gabriel’s Real World studio and has toured with his industrial band Y Front alongside Rammstein in the 90s. Paul Kendall (Mute Records, NIN, Nick Cave) said about David: “a distorting diamond… we have collaborated on a number of projects and I have been amazed by his ability to teach an old dog new tricks. He is simply the best recording engineer I have ever met.”
The other half of Crown is founding father and vocalist Stéphane Azam, who has worked as live sound engineer for French blackgaze pioneers Alcest for years. Stéphane’s low, soothing voice on The End Of All Things comes as a complete surprise to anyone familiar with the band’s previous two records, which featured mostly screamed vocals—a fact showcasing the immense versatility of the musicians at work here. The End Of All Things is a seminal album, which could very well turn into a new ‘Shape Of Heavy Music To Come.’
Furthermore, in contrary to previous efforts, there are (almost) no vocal guest appearances on The End Of All Things. ‘Almost,’ because Karin Parks of Årabrot lends her beautiful voice to closing track Utopia. David pushed Stéphane from the start of the writing and recording process to do all the vocals himself, for the sake of coherence: he wanted the band and the album to have one single “captain of the vessel.”
As Husser explains:
“Stéph sings with a very low voice now, and it was a challenge to make space for that sound- and production-wise, we had to find some kind of relief in the low register. It took us pretty long to find what we consider the right recipe to make it work.
Life is change, it’s the only thing we can always expect. It’s the same with music. I personally feel offended when a band just regurgitates their own ideas and delivers a copy of the previous album, over and again… I want to take risks and let myself in for adventures and ventures into new territories, otherwise it wouldn’t be art anymore.”
Purchase and stream The End of All Things here.
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