<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>New Noise Magazine</provider_name><provider_url>https://newnoisemagazine.com</provider_url><author_name>Theron Moore</author_name><author_url>https://newnoisemagazine.com/author/theronmoore/</author_url><title>Interview: Doom, Censorship, and 'Exillium' with Sordes Dominum &#x2013; New Noise Magazine</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="M1t3sPGidb"&gt;&lt;a href="https://newnoisemagazine.com/interviews/interview-doom-censorship-and-exillium-with-sordes-dominum-2/"&gt;Interview: Doom, Censorship, and &#x2018;Exillium&#x2019; with Sordes Dominum&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://newnoisemagazine.com/interviews/interview-doom-censorship-and-exillium-with-sordes-dominum-2/embed/#?secret=M1t3sPGidb" width="600" height="338" title="&#x201C;Interview: Doom, Censorship, and &#x2018;Exillium&#x2019; with Sordes Dominum&#x201D; &#x2014; New Noise Magazine" data-secret="M1t3sPGidb" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://newnoisemagazine.com/wp-includes/js/wp-embed.min.js
&lt;/script&gt;
</html><thumbnail_url>https://newnoisemagazine.com/wp-content/uploads/2022/02/Sordes-Dominum.jpg</thumbnail_url><thumbnail_width>1</thumbnail_width><thumbnail_height>1</thumbnail_height><description>Relatively new to the scene, Sordes Dominum is a three-piece instrumental, horror, doom-metal machine that claims the city of lost angels as its home base. The band features bassist Zander Reddis, guitarist and producer Alex Crescioni, and drummer Jorden Mitev. Sordes Dominum recently released their first single, &#x201C;Exillium,&#x201D; accompanied by a video which has been [&hellip;]</description></oembed>
