1.0New Noise Magazinehttps://newnoisemagazine.comNathaniel Layhttps://newnoisemagazine.com/author/natelay/rich600338<blockquote class="wp-embedded-content" data-secret="JsG735yQhP"><a href="https://newnoisemagazine.com/reviews/album-review-glass-houses-wellspring-2/">Album Review: Glass Houses – ‘Wellspring’</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newnoisemagazine.com/reviews/album-review-glass-houses-wellspring-2/embed/#?secret=JsG735yQhP" width="600" height="338" title="“Album Review: Glass Houses – ‘Wellspring’” — New Noise Magazine" data-secret="JsG735yQhP" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://newnoisemagazine.com/wp-includes/js/wp-embed.min.js </script> https://newnoisemagazine.com/wp-content/uploads/2022/03/Glass-Houses-Wellspring.jpg11Glass Houses Wellspring (InVogue Records) North Dakota’s Glass Houses make a memorable debut with Wellspring, an album birthed from the recent revival of screamo, and strengthened by the outstretched hands of group harmony that poke up from time to time (primarily in its second half). Early touches of this are seen in “Heirlooms” (following the […]