<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>New Noise Magazine</provider_name><provider_url>https://newnoisemagazine.com</provider_url><author_name>Tom Haugen</author_name><author_url>https://newnoisemagazine.com/author/tom/</author_url><title>Album Review: The Complicators - Self-Titled &#x2013; New Noise Magazine</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="DcfdoHAQaD"&gt;&lt;a href="https://newnoisemagazine.com/reviews/review-complicators-self-titled-2/"&gt;Album Review: The Complicators &#x2013; Self-Titled&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://newnoisemagazine.com/reviews/review-complicators-self-titled-2/embed/#?secret=DcfdoHAQaD" width="600" height="338" title="&#x201C;Album Review: The Complicators &#x2013; Self-Titled&#x201D; &#x2014; New Noise Magazine" data-secret="DcfdoHAQaD" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://newnoisemagazine.com/wp-includes/js/wp-embed.min.js
&lt;/script&gt;
</html><thumbnail_url>https://newnoisemagazine.com/wp-content/uploads/2022/03/The-Complicators-Self-Titled.jpg</thumbnail_url><thumbnail_width>1</thumbnail_width><thumbnail_height>1</thumbnail_height><description>The Bay Area has never been short on pop-punk outfits, and if newcomers The Complicators have their way, the more coarse sounds of street punk, Oi! and hardcore should be just as noteworthy. On their first release, the band make good use of their 6 minutes with hard hitting, working class style punk. &#xFEFF; Side [&hellip;]</description></oembed>
