<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>New Noise Magazine</provider_name><provider_url>https://newnoisemagazine.com</provider_url><author_name>Joe Reitan</author_name><author_url>https://newnoisemagazine.com/author/jreitan/</author_url><title>Album Review: Flatfoot 56 - The Vancouver Sessions &#x2013; New Noise Magazine</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="xrbjgl0lL7"&gt;&lt;a href="https://newnoisemagazine.com/reviews/review-flatfoot-56-vancouver-sessions-2/"&gt;Album Review: Flatfoot 56 &#x2013; The Vancouver Sessions&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://newnoisemagazine.com/reviews/review-flatfoot-56-vancouver-sessions-2/embed/#?secret=xrbjgl0lL7" width="600" height="338" title="&#x201C;Album Review: Flatfoot 56 &#x2013; The Vancouver Sessions&#x201D; &#x2014; New Noise Magazine" data-secret="xrbjgl0lL7" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://newnoisemagazine.com/wp-includes/js/wp-embed.min.js
&lt;/script&gt;
</html><thumbnail_url>https://newnoisemagazine.com/wp-content/uploads/2022/03/Flatfoot-56-The-Vancouver-Sessions.jpg</thumbnail_url><thumbnail_width>1</thumbnail_width><thumbnail_height>1</thumbnail_height><description>Flatfoot 56 is a Celtic Punk band from the windy city of Chicago that has just come out with an imaginative new EP, The Vancouver Sessions. With this EP, Flatfoot 56 include one new song; &#x201C;Cain&#x201D;, while presenting brand new adaptations for a handful of older songs from their catalog. For fans of The Pogues [&hellip;]</description></oembed>
