<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>New Noise Magazine</provider_name><provider_url>https://newnoisemagazine.com</provider_url><author_name>John Moore</author_name><author_url>https://newnoisemagazine.com/author/johnmoore/</author_url><title>Album Review: The Killers - Direct Hits / Sam&#x2019;s Town / Sawdust / Day &amp; Age &#x2013; New Noise Magazine</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="2QojTuiEbG"&gt;&lt;a href="https://newnoisemagazine.com/reviews/review-killers-direct-hits-sams-town-sawdust-day-age-2/"&gt;Album Review: The Killers &#x2013; Direct Hits / Sam&#x2019;s Town / Sawdust / Day &amp; Age&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://newnoisemagazine.com/reviews/review-killers-direct-hits-sams-town-sawdust-day-age-2/embed/#?secret=2QojTuiEbG" width="600" height="338" title="&#x201C;Album Review: The Killers &#x2013; Direct Hits / Sam&#x2019;s Town / Sawdust / Day &amp; Age&#x201D; &#x2014; New Noise Magazine" data-secret="2QojTuiEbG" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://newnoisemagazine.com/wp-includes/js/wp-embed.min.js
&lt;/script&gt;
</html><thumbnail_url>https://newnoisemagazine.com/wp-content/uploads/2022/03/The-Killers-vinyl-reissues.jpg</thumbnail_url><thumbnail_width>1</thumbnail_width><thumbnail_height>1</thumbnail_height><description>Vegas synth rockers, The Killers, seemed to come out of nowhere in 2004, with their wildly successful debut Hot Fuzz. While that record housed some of their biggest hits, it was the albums that followed that really showed the Vegas-based group&#x2019;s depth. UMe and Island have just released two of the group&#x2019;s best albums on [&hellip;]</description></oembed>
