1.0New Noise Magazinehttps://newnoisemagazine.comCaleb R. Newtonhttps://newnoisemagazine.com/author/cnewton/rich600338<blockquote class="wp-embedded-content" data-secret="8mmwc1Fmzx"><a href="https://newnoisemagazine.com/reviews/review-marissa-nadler-for-my-crimes/">Album Review: Marissa Nadler – For My Crimes</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newnoisemagazine.com/reviews/review-marissa-nadler-for-my-crimes/embed/#?secret=8mmwc1Fmzx" width="600" height="338" title="“Album Review: Marissa Nadler – For My Crimes” — New Noise Magazine" data-secret="8mmwc1Fmzx" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://newnoisemagazine.com/wp-includes/js/wp-embed.min.js </script> https://newnoisemagazine.com/wp-content/uploads/2022/03/a1762448735_10-e1538446654687.jpg11Marissa Nadler’s incredibly personal For My Crimes encapsulates striking vulnerability and yet, at the same time, is accessible and inviting for the newcomer. On the record, she has synthesized various strands of the music community on the softer end of the spectrum into a deeply memorable art-indie experience. She has carefully translated what feels like […]