1.0New Noise Magazinehttps://newnoisemagazine.comBrian O'Neillhttps://newnoisemagazine.com/author/brian-oneill/rich600338<blockquote class="wp-embedded-content" data-secret="ReHnUYlAjS"><a href="https://newnoisemagazine.com/reviews/review-mirrors-for-psychic-warfare-i-see-what-i-became-2/">Album Review: Mirrors for Psychic Warfare – I See What I Became</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newnoisemagazine.com/reviews/review-mirrors-for-psychic-warfare-i-see-what-i-became-2/embed/#?secret=ReHnUYlAjS" width="600" height="338" title="“Album Review: Mirrors for Psychic Warfare – I See What I Became” — New Noise Magazine" data-secret="ReHnUYlAjS" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://newnoisemagazine.com/wp-includes/js/wp-embed.min.js </script> https://newnoisemagazine.com/wp-content/uploads/2022/03/a2383560274_10-e1538713426896.jpg11We live in harsh times, and harsh times demand harsh tunes. It’s therefore not particularly shocking that industrial music is moving in even darker directions and incorporating other genres, such as darkwave, into the fold. Compare the caustic Castration Anxiety from HIDE, the minimalistic desolation of Shadow World by Lana Del Rabies, and the textured […]