1.0New Noise Magazinehttps://newnoisemagazine.comCameron Carrhttps://newnoisemagazine.com/author/cameron-carr/rich600338<blockquote class="wp-embedded-content" data-secret="byM8BFPUiT"><a href="https://newnoisemagazine.com/reviews/review-now-now-saved/">Album Review: Now, Now – Saved</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newnoisemagazine.com/reviews/review-now-now-saved/embed/#?secret=byM8BFPUiT" width="600" height="338" title="“Album Review: Now, Now – Saved” — New Noise Magazine" data-secret="byM8BFPUiT" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://newnoisemagazine.com/wp-includes/js/wp-embed.min.js </script> https://newnoisemagazine.com/wp-content/uploads/2022/03/Now-Now-Saved.jpg11If Now, Now’s 2012 release Threads was a little underappreciated it made up for it with a passionate reception by those who did hear it. The gentle fuzz, tight harmonies, and subtle electronics made for an endearing album bordering on the bedroom pop that would soon rise to prominence in indie circles. Roughly six years later the […]