1.0New Noise Magazinehttps://newnoisemagazine.comTom Haugenhttps://newnoisemagazine.com/author/tom/rich600338<blockquote class="wp-embedded-content" data-secret="7daKwVwtmJ"><a href="https://newnoisemagazine.com/reviews/review-william-elliott-whitmore-kilonova-2/">Album Review: William Elliott Whitmore – Kilonova</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newnoisemagazine.com/reviews/review-william-elliott-whitmore-kilonova-2/embed/#?secret=7daKwVwtmJ" width="600" height="338" title="“Album Review: William Elliott Whitmore – Kilonova” — New Noise Magazine" data-secret="7daKwVwtmJ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://newnoisemagazine.com/wp-includes/js/wp-embed.min.js </script> https://newnoisemagazine.com/wp-content/uploads/2022/03/a1825310920_10-e1536816201206.jpg11Iowa’s William Elliott Whitmore returns with his seventh album of  banjo and guitar-driven stories that hauntingly walk across blues, folk, country, and punk. This time Whitmore offers us 10 covers of songs that have shaped his lengthy career, and much like his own work, it’s a varied pool he draws from, including The Magnetic Fields, […]